I think that this one is my favorite in the series, so far. Not only are there all kinds of lively colors at the Farmer’s Market, there are also all kinds of lively characters there too. This man was tirelessly giving away samples on a hot, dry, California day. Not only do I like the subject matter of this painting, I also like the way the shapes and values balance within the composition.
Farmer’s Markets provide endless inspiration. In this scene a lovely lady has purchased a beautiful bunch of fresh flowers. As an artist, I find the farmer’s truck just as interesting and beautiful as the lady and the flowers.
This is another from my series of Farmer’s Market scenes. In this series I am exploring figures, colors, and shapes. I am simplifying the figures so that they appear more abstract. I’ve also simplified the produce into simple colors and shapes. In this scene a young hippie type of guy is stocking up on his vegetables. You might say he is “vegging out”.
…but I decide to attempt the 30 Paintings in 30 Days Challenge again! We will see how far I get before life gets in the way. Considering that the goal of the challenge is to paint more frequently, it can’t hurt to try. This time around I have decided to paint small. Let’s see if that helps.
So far painting smaller didn’t help! For my first painting I decided to try my hand at the Daily Paintworks Crowd of People Challenge. This was fun, but the complicated subject matter was difficult to execute on a small scale. I decided the best thing to do was to simplify. I like the way simplified figures lean toward abstraction.
The way the central figure came out reminds me of vintage mod fashion art. That is why I decided to call it The Mod Squad.
I painted in the vineyards this week. I am going to take a cue from Monet and paint the same spot again and again. I plan to go back there once a month to see how the foliage, color, and light changes over time. This should be an interesting experiment because I will also get to see if my painting approach changes and progresses. We will see how this turns out.
I am primarily a plein air painter. I love being outside, painting on location. It allows me to be immersed in the moment, and to really get the feel of a place. Due to the nature of plein air, I often have to paint on smaller canvases. I like the impact that a larger painting can have, so I have been using my smaller plein air pieces as inspiration for larger paintings.
When I painted this from a smaller plein air piece, I could easily recall the rhythmic sound of the waves, the cool ocean breeze cutting across my face, and the smell of salt in the air. All of that memory and feeling went into the creation of this painting. I hope that some of those sensations come through to the viewer.
In the eastern counties of the San Francisco Bay Area, nothing announces springtime like the blooming fields of mustard. These cheerful blossoms are a welcome sight after the cold and dark days of winter. That is why I chose this as one of three paintings that I have entered into the ADAS Spring Show, Primavera. Here is a link for more details. http://adas4art.org/spring-show/
I am also happy that one of my paintings will be in this year’s Fresh Works Exhibit at the Harrington Gallery. http://www.firehousearts.org/harrington-gallery/ I am looking forward to both receptions, and they occur on the same day. It will be an artful day, which is just the way that I like it.
It has been a very busy year for me. I have been in the studio working on some very large pieces for a commission. I am really looking forward to getting back outside to do some more plein air work. I have missed being able to work from direct observation, and from the dynamic of painting in the elements. I hope to get outside this weekend, but in the mean time I am going to dive into another large studio piece.
This is a funky little road scene that I painted last summer. I thought it would be fun to do a lager version. I am going to attempt a 40 x 30 of this one. I will post the results later. Wish me luck!
This is another portrait study of a vineyard done on Arches Oil Painting paper. I think this has an interesting dynamic. The fiery vineyard blazing in the front is balanced by the bucolic farm in the back.